European Commission Of The European Union - 1714 Words

European Commission This is the part of the EU which is designed to uphold the interests of the EU as a whole, not an EU member state individually. Each member must not be biased to their national state. It as many responsibilities that include; - To draft laws and proposals for the parliament and council to consider - To implement European laws - Works alongside the court of justice to make sure that the EU laws are followed - Represents the EU international area Court of Justice This court has the task of ensuring that all 27 members of the EU has its law applied equally throughout. Most of the cases referred to the tem by the national courts of the member states. EU Decision Making When making a decision, the EU members have to go†¦show more content†¦Representatives from the commission must also attend the meetings to join in with the discussion because they were the ones who wanted to introduce the law. Once an agreement has been reached, the agreed text is then sent to the council as well as the parliament for a final reading so that the law can finally be adopted. Consultation – Under the decision making procedure the commission gives its proposal to the parliament and council, just like the co-decision procedure, but in this case it is the council that must take responsibility for consulting with parliament as well as other EU bodies. In all cases, parliament can: - Approve the proposal made by the commission - Reject the proposal - They can also ask for amendments to be made Assent – This is the method of making decisions in which the council must obtain the European parliaments agreement before decisions are made. This procedure is exactly the same as the consultation procedure, apart from the fact that the parliament cannot amend the proposal: It must either be accepted or rejected. EU’s decisions affecting UK Public Services These are some of the EU’s decisions which affect the UK’s public services: Single currency – In 1999 the European Union introduced a single currency. This is called the euro. The euro became the legal currency of 11 EU states; however, the UK and Denmark opted out. Of the 27 EU members, 16 of them have the euro as

In Jean Paul Sartre’s novel Nausea Free Essays

In Jean Paul Sartre’s novel Nausea, the origin of Roquentin’s nausea is shown to be the essence by which things are named and which acts as a faà §ade over the more genuine nature of their existence. Throughout his experience, Roquentin realizes that much of what is touted as important in life is really non-essential. In fact, he finds that the deepest mysteries are hidden by a more frivolous veneer of plurality, to which people give names based on their attributes. We will write a custom essay sample on In Jean Paul Sartre’s novel Nausea or any similar topic only for you Order Now These plural objects he finds himself disgusted with—beginning with the stone he held in his hand at his moment of epiphany. This nausea that is experienced by Roquentin is in direct contrast to individuality, because at root he believes that all comes down to existence. People and objects exist; that is all that can and should be said about them. All their other attributes are merely decoys blinding people to the real truth about themselves and their world. Therefore, any individualism is a mere illusion, and further claims made by persons concerning ideologies are simply efforts at distracting oneself from the confounding mystery of existence. Roquentin’s nausea manifests itself as a reaction to the nominal nature of objects. This idea of naming objects (nouns) is one that distracts the mind from the fact that the object is there, in existence, without any real explanation as to why it exists. Roquentin says, â€Å"Everywhere, now, there are objects like this glass of beer on the table there. When I see it, I feel like saying: ‘Enough!’† (Sartre, 8). In fact, this is the way his nausea reacts to all attributes of objects, including color, taste, and other features by which people describe them. The apprehension of an object as a â€Å"blue book,† for instance, explains away the existence of the object and prevents one from marveling at the fact that it exists at all. This kind of â€Å"apprehension† can occur most readily when a thing can be seen, and this explains why Roquentin’s nausea occurs only in the light. The light, according to the reasoning put forth by Roquentin, is where an object’s existence becomes obscured. In the dark (or even in the mind of a subject who thinks of the object) the subconscious is likely to think of the thing only in terms of its being â€Å"there†Ã¢â‚¬â€that is, being in existence. However, in the light, the senses are apt to pick up such things as shape, color, and text. These peripheral things are mere distractions–frivolities that serve to concoct a reason for the things existence and to divert the mind from the profound fact of the thing. In the same way, Roquentin’s nausea rises against personalities of his and past eras, and this can be seen as a method of criticizing any tendency toward individualism. This can be seen as he views certain paintings and portraits of personalities. It can also be seen in his nauseated reaction to such persons as the Self-Taught Man and others, whose past lives he comes to dismiss as being non-existent like all things past. These people, he argues, have succumbed to an illusion of past glory and exploits, and from this have come to deny their own existence by promoting their essence. In contrast, Roquentin views such historical personalities as Robespierre, Lenin, and Cromwell all as one (Sartre, 69). This proceeds from the idea (noted earlier) that the attributes of a given thing act as a glare that prevents the viewing of the more important fact of existence which lies beyond the glare. Following this reasoning, then anything or anyone that seeks to make a name for himself and denies his/her oneness with the inexplicable existence of the universe acts futilely. The work that Roquentin constructs around the marquis Rollebon is described as conjecture rather than reality. In fact, the only reality that Roquentin acknowledges is the present. This underlines the concept within the novel that debunks individualism, as Roquentin’s mining of the past to create the marquis can only create a false version of the man. This is further demonstrated in the fact that the marquis’ life is recreated only through retelling his actions or describing his features. Yet, these are both examples of the things that nauseate Roquentin—the very attributes that distract from the mystery of the marquis’ existence. In fact, Roquentin says of Rollebon, â€Å"He is a bubble of fog and desire, he is pale as death in the glass, Rollebon is dead,† (Sartre, 102). The significance of this is that, through Roquentin’s book, these attributes attempt to mask the fact that Rollebon is dead and therefore no longer in existence. It is existence that is important. Non-existence equals unimportance, regardless of ones attributes and exploits. Therefore, Roquentin ceases to continue writing Robellon’s history. This idea can be further generalized to all persons who somehow become distinct from all others in existence (whether by naming at birth or subsequent celebrity) as this is all meaningless. The nausea experienced by Roquentin is also a reaction to human beings’ tendency to generalize ideas and form them into ideologies. His reaction to Self-Taught Man’s socialism highlights the movement as a frivolous regard for â€Å"brothers,† â€Å"sisters,† â€Å"fellow humans† and â€Å"mankind† which in reality are names and attributes that merely mask a more homogeneous existence that is common to all that are in the world. This existence unites man with animal and with inanimate objects, and any attempt to individualize or distinguish those things around which ideologies are formed is fruitless. Roquentin also refers to what he terms â€Å"contingency.† He writes, â€Å"The essential thing is contingency. I mean that one cannot define existence as necessity† (Sartre, 131). This hints at the idea that any particular reason concocted by the human mind that points toward the need for a thing’s existence is beside the point of existence, which is by no means essential. In Roquentin’s conception, therefore, such explanations are non-essential. The only thing that matters is that a thing exists at all, and not ideologies that explain why it exists. The nausea that is experienced by Roquentin exists as a result of his growing disgust with the nominalization of the homogeneous world. He experiences a vertiginous reaction to the illumination of individual objects, which highlights the thing’s attributes. Yet it is these attributes that most prevent the apprehension of their profound existence, as they offer an illusory reason for the thing’s otherwise inexplicable presence in the world. This represents a form of individualism that Roquentin believes is a faà §ade, as all things (persons, objects, animals, etc.) are one in existence. This idea, which is the origin of Roquentin’s nausea, presents therefore an argument against individualism. It also presents a similar argument against ideology, as these so-called universal concepts are based on beliefs about (or on attributes of) particular things—and these attributes in reality do not exist. Work Cited Sartre, Jean Paul. Nausea. New York: New Directions Publishing Corporation. How to cite In Jean Paul Sartre’s novel Nausea, Essay examples

Viscera EP by Haunting Shores free essay sample

Haunting Shores is an American progressive metal formed as a side project from the djent/progressive metalcore band, Periphery. Unlike Periphery however, its more fast paced, epic and less djent-y. In fact, they seem to combine all forms of progressive metal in the EP from the straight version of it to Tech Death to, well, Djent. Lets see what they have to offer for us as well. Viscera is only really seven tracks long and none of these tracks seem to go over seven minutes. Even if you end up not liking it, you really wont waste more than maybe 35 minutes, not much at all time-wise. Some of these tracks arent even breaching three minutes in fact. This EP has many things going for it, in some tracks it has a bit more of a softer, haunting vibe to it. In at least one track, we get a symphony and a chorus of some sort which gives it a bit more of a movie soundtrack vibe, we have one track titled after the actor Harrison Ford, spelled Harrison Fjord, and a couple are just absolutely chaot ic as well. We will write a custom essay sample on Viscera EP by Haunting Shores or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This is yet another instrument album but even if you really dont like instrumentals, you might not care as much since this EP packs in alot of variety in just seven tracks. The last track does include a guest star from the Jazz Black Metal band Shining named Jorgen Malkeby(I think thats how you spell it). In case youre wondering what he does here, he plays the saxophone in this song which surprisingly compliments the chaos that is the song hes featured in. The only problem I might see is the lack of vocals but there is so much musical variety you would either not notice, or care. I give this a 9/10. I am the Grim Reaper, signing off.